Free Download , by Ho Thi Trinh

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File Size: 7878 KB

Print Length: 246 pages

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Publication Date: November 5, 2018

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Language: English

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Ebook Free , by Thomas E. Savage

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, by Thomas E. Savage

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File Size: 1953 KB

Print Length: 158 pages

Page Numbers Source ISBN: 1983006599

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Publication Date: May 25, 2018

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Language: English

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The “story” such as it is commits the crime of breaking the first and most important rule of writing - it tells rather than shows. On top of that, there are numerous syntax and tense errors that present the author as childish in his ability to describe actions. After the second chapter I started skimming the pages and surprise surprise found the same poor quality throughout the short text. If you’re looking for “awesomeness” then look else where.

It reads like a porno written by a seventh grader. The protagonist is super powerful, right up until it suits the authors needs to make him weak. The sex is somewhat like "hi, how are you, let's have sex". No social development and the story is weak.

I really liked this book can't wait to see where the next book takes the story I will definitely read the next book

In Rise of Awesome, the author makes the fatal mistake of using a Gary Sue protagonist. As a result, the MC is never really challenged and the story becomes boring and predictable. Adversity builds character, and the writer should really follow this idiom to write his books. Additionally, none of the characters really stand out; they are too poorly developed.This book is an okay read if the reader is into softcore harem stories. Otherwise, just skip it.

Not great story, basically no challlenges. To be fair, only awesome was pretty much what was on the label. Even the sex wasn't that great.

The building of the characters is slow but it's slowly gaining speed as more of them are added.The action is consistent.

1 star rated 1st because after reading a couple of chapters, I thought I had read this.A search of my records found a book called 'Adventures of Erik Part 1'.I do not like renaming a book if it is to get people to read it.If I like it and get book 2, I will consider changing the rating.I changed the rating to 4 because I like the story and the main character is 'cocky', just like me.

While the plot seemed to be ok, I couldn't get past the MANY spelling and grammar errors. I'm not sure who you had to do your editing, but they should be fired. I could only stand to read the first two chapters before returning this book. Find someone that knows how to edit and I'll consider reading this book again.

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Download The Art of Fiction: Notes on Craft for Young Writers

Download The Art of Fiction: Notes on Craft for Young Writers

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The Art of Fiction: Notes on Craft for Young Writers

The Art of Fiction: Notes on Craft for Young Writers


The Art of Fiction: Notes on Craft for Young Writers


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The Art of Fiction: Notes on Craft for Young Writers

Review

"It will fascinate anyone interested in how fiction gets put together.  For the young writer it will become a necessary handbook, a stern judge, an encouraging friend... In the first half of the book, Gardner investigated just what fiction is.  In the second half, he treats specific technical matters. The Art of Fiction is filled with lecture counsel, wise encouragement." -John L'Heureux, The New York Times Book Review"A densely packed book of advice to all writers, not just young ones... It is serious, provocative, and funny, and I recommend it to anyone who cares about literature."- Margaret Manning, The Boston Globe"He lays out virtually everything a person might want to know [about] how to say it, with good and bad examples and judgments falling like autumn leaves in a November storm." -William McPherson, The Washington Post"The next best thing to graduate workshop in fiction writing. Drawing on examples from Homer to Kafka to Joyce Carol Oates, Gardner unravels the mysteries of plot, sentence structure, diction, and point of view." - Book-of-the-Month Club News

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From the Inside Flap

ardner was famous for his generosity to young writers, and (this book) is his . . . gift to them. The Art of Fiction will fascinate anyone interested in how fiction gets put together. For the young writer, it will become a necessary handbook, a stern judge, an encouraging friend."--The New York Times Book Review.

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Product details

Paperback: 240 pages

Publisher: Vintage; Reissue edition (June 4, 1991)

Language: English

ISBN-10: 0679734031

ISBN-13: 978-0679734031

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

138 customer reviews

Amazon Best Sellers Rank:

#38,034 in Books (See Top 100 in Books)

Anyone who's serious about writing a book needs to start here. Gardner's advice on maintaining the "fictional dream" for the reader--that is, suspension of disbelief, immersion--is top notch. Part I, the discussion and overview of fiction, is engaging and helps contextualize the advice presented: where on the spectrum of the written word we are trying to fit into, what it aims to accomplish, what it needs to accomplish that, and how we go about creating it as writers.Part II covers the common pitfalls and offers technical advice. Style and structure are covered, with especially good lessons on diction and proper sequencing of signals in the test (stimulus, involuntary reaction, voluntary reaction--which may be thought of as cause & effect and is explained in greater depth in Dwight V. Swain's book as Motivation-Reaction Units), with solid explanations for why mistakes here harm the fictional dream and why it is important to get it right. Also covered are the "clumsy writing" mistakes such as characters looking in mirrors to shoehorn description into the text, as well as melodrama, which relies on cheap sleight of hand in writing as opposed to real drama. I loved the section on vocabulary, which explained the problem with writing-by-thesaurus while emphasizing the importance of expanding ordinary vocabulary that include more uncommon words (such as technical architectural terms like "lintel," which, while uncommon, are a benefit to writing) as well as brand names.What this book will do:- Give you a good overview of fiction- Help you understand what fiction tries to accomplish, why, and how- Explain the common clumsy mistakes and how to avoid them- Provide you exercises- Entertain you with Gardner's engaging writing voice (so it doesn't feel like a manual)What this book won't do:- Help you understand nonfiction and how to write it- Cover the common mistakes in-depth- Give you genre-specific advice- Cover anything related to self-publishing- Explain the business of writing- Take the place of critiquers, beta readers, or editorsThis is a great intro to writing craft book. It should, at the very least, help you understand what you're trying to do and identify your weaknesses so that you may find more narrowly tailored resources to help you. I find myself referring to the passages I highlighted quite often, both in the paperback and the Kindle version.FWIW, the Kindle version is now searchable. When I first bought it, it was not. The search function is a *great* help.

I cannot even begin to count the number of writing books I have read. A college professor who taught anthropology originally introduced me to "The Art of Fiction" and now, three decades later, this is still the first book I recommend to both new writers and experienced writers seeking ways to take their work to the next level.Although John Gardner was barely an average sort of novelist, this book remains the finest book on writing fiction ever penned.

This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book.What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.

The late John Gardner wrote a number of acclaimed novels, but this guide to writing fiction (aimed at 'young people' but helpful to everyone who wants to write) is, for me, his greatest work. The no-nonsense, detailed chapters about what fiction may be or should be, the delineation of technique and approach, the exercises at the end, are all valuable. I have given away several copies of this, but always keep my own close at hand.

Superb. memorable, has taught me essentials. A fundamental course in how to think as well.

I highly recommend this to those wanting to understand the art of creative writing. I would suggest reading part 2 first because Gardner can come across as discouraging or very abstract in the beginning of the book. In the first part, he discusses literary aesthetic and other theories which could go right over a young writer's head. However, if they read part 2 first, they will gain a better context for their writing technique and progress nicely into part 1.

The sad part about the author is that hje died at a young age from a motorcycle accident. He was just starting to gain recognition, but his book is timeless and worth the price.

Gardner wrote this using his college level lectures as a base. He does not write in over-simplified cliche terms (ie. Show vs. Tell) but instead uses coherent examples and arguments to display the benefits and/or ramifications of style choices, narration, description, characterization and story structure. I found this book to be informative and enlightening where other texts on writing seem to have been written for a base layer of understanding that feels dummied-down.

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