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File Size: 36345 KB

Print Length: 552 pages

Simultaneous Device Usage: Unlimited

Publisher: SitePoint; 3 edition (July 23, 2011)

Publication Date: February 1, 2015

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This is a book that I was required to have for a basic web design class. About 1/3 of the way through the class, I realized that the instructor wasn't instructing us at all. He was just regurgitating the book! It's that good. It's clear, concise, easy to understand and if you have an interest in learning HTML & CSS, I highly recommend this book.Pros:Easy to understandInexpensiveExpansive coverageIncludes files to download for reference and "checking" yourselfCons:Talks Windows XP, doesn't get into 7No Chrome info

After combing through a good number of beginners books on HTML & CSS, this book is certainly the best one. I walked into coding a complete novice, knowing only how to create bare bone pages.After I finished the book, I knew how to create a fully functional and visually delightful website.Ian Lloyd walks the user through the basic nuts and bolts of a website, all the way to an aesthetically pleasing design. In many ways, the author goes beyond the "how-to" approach, by encompassing useful tips and background info, as well as access to webfiles and other helpful resources. The pages are fully laid out with pictures and code mark-up, chapter by chapter, on how to accomplish specific tasks.Even if you're not a beginner, the book serves as an excellent resource with a detailed index and up to date information on HTML5 & CSS3.Go for it.

This book satisfied my need to learn what CSS is all about and how to use it. It took me step by step through building a nicely complex website. It also gave many explanations as to why good coding was important. My main criticism was it often showed what code to write for CSS but seldom showed a full page. Position on the page is of great importance in CSS I found, but the book showed what to add but not always where on the page to add it. There was reference to web based examples which I found to be a slow and sometimes irritating process. As a result I found various operations sometimes didn't work. The only solution was to go back and go through it again.Generally I found that the book gives excellent grounding but needs more full page examples of the CSS file for a tyro like me.For value the book is great. I enquired locally about face to face tuition in basic coding and was quoted $1,500.00

I find myself recommending this book all the time to aspiring web developers. It's easy to follow and comprehensive. After recommending this to a graphic designer, they went from no knowledge of HTML to being able to build a simple website. It's great for visual learners.Ignore the social media chapters since they are very outdated.

It's a pretty comprehensive book on the subject but OK.

Jesus this book is the easiest read and I learned so much from it. I just, got everything they were saying, and if not I followed the instructions/tutorials and it became clear. Good read! Warning, can be a tad bit corny lol

Very helpful. made creating the website a real breeze. Showed me the updated XTML language since I had not written any since the 90's and things had changed considerable since then, with more techniques available to put the Pizzazz in a webpage.

I love this book! I recommend this book to anyone that wants to lear web design or to build their own website.

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File Size: 830 KB

Print Length: 210 pages

Publisher: Wiley-Blackwell; 1 edition (September 23, 2011)

Publication Date: September 23, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005UNVG2I

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I hate, hate, hate this book! Unless you are an art major, the book is close to impossible to read. The author included so much jargon!Loved everything she had to say (well, keep in mind, it's just her opinion) but the book feels like a museum - it's "public" but it's not inclusive. It makes the everyday person feel like the book is not written for him/her. Just like a museum. It's there, open for everybody but only the "elite" goes there. Everybody else feels out of place. This is what this book feels like. How ironic to write a book abut public art and make the book feel like a museum! . Unless you have a degree in arts and are familiar with the jargon - this book will make you feel illiterate.The vocabulary... oh, the vocabulary...

This is a really great book if you want to generally learn about public art and the major issues that concern it. I bought this text for a class I am taking on public art, and it was a really helpful introduction into the topic.

This book is a required read for anyone interested in contemporary art, pubic art, aesthetics and/or the history of modern/contemporary art. It is very well written and highly readable and provides both insight and substance for both the novice and the expert alike. The approach taken by Knight is an insightful and significant one. This book gives an important reevaluation of public art as not just a place/art of monuments and site based works but as a key and active aesthetic ground in which the varied interest (public/private), functions (monument/aesthetic statement), audiences (general population/art world), and cultural frames and references (popular culture/ fine art), make for aesthetic and cultural proving ground. One of my most important realizations from reading Krause's book is that rather than being a kind "no persons' land," which is neither important for the art world nor for the public, public art is one of the most important categories of art production today. And for this insight alone the book is well worth the price and I intend to use this book in several of my graduate level college studio art classes. I recommend it to one and all.

Knight provides a crucial study reevaluating the parameters and function of public art. In language that is accessible for a broad audience, she employs a methodological soundness and real insight. Knight, widely acknowledged for her studies on popular culture, situates art within the ubiquitous world of contemporary spectacle. Within the first pages, she introduces the complex framework that has risen around this subject. Rather than sidestep the slippery terrain that encompasses function, aesthetics, and reception, she advocates the critical involvement of the viewer as an essential component. In so doing, she navigates precarious territory by steering midcourse between the tastemakers and the cultural consumers. She qualifies with the following, "My populist perspective seeks balance between the hypercritical and uncritical nodes; to reorient our appreciation for artworks already absorbed into the canon, highlight the viewer's role, and suggest and expanded terrain for public art." Her study proceeds after a useful review of American public art to examine different responses and modes of interaction, from Christo to Scott Burton, from Lightning Field to Disneyworld. Throughout, she constructs an invaluable network of viewpoints from the most significant theorists and critics of the past and present (John Beardsley, Malcolm Miles). With its compendium of relevant dialogues, its resistance of pretentiousness, and its critical consideration of the terms inherent to the medium, Knight's study is a compelling and vital resource for scholars and enthusiasts alike.

I enjoyed this book thoroughly and intend to make several personal "Art Pilgrimages" as a result!

Ms. Knight's `Public Art' is very disappointing. She sets out her agenda/bias in the preface, "I contend that art becomes most fully public when it has palpable populist sentiments - the extension of emotional and intellectual, as well as physical, accessibility to the audience - not a pretension toward such." She uses terms like "accessibility" (which is a loaded term) assuming there is some kind of shared understanding of the meaning. She goes on to slam art "elitists"; equating them with, "...centurions standing guard over and imposing their culture on others." She defines elitists as having a "need for professionalism...and standards of quality..."Ms. Knight seems to be arguing for a T-ball mentality - everyone should play - when it comes to public art. I find it strange that the people who make a case for populism and accessibility in the arts would never apply the same criteria to own profession. Ms. Knight is an Assistant Professor of Art History at Emerson College. If a position were to come open in Ms. Knight's department, would it be elitist to ask that the applicants had an upper-level degree, teaching experience, that they actually studied art history, that they could even write? Would her department hire, or even consider a person who had none of those qualifications? I don't think so.I think the book would have been better if Ms. Knight would have stuck to analyzing the public art scene and not try to impose her agenda on the subject.

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PDF Ebook Making the Numbers Count: The Management Accountant as Change Agent (Corporate Leadership)

PDF Ebook Making the Numbers Count: The Management Accountant as Change Agent (Corporate Leadership)

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Making the Numbers Count: The Management Accountant as Change Agent (Corporate Leadership)

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Series: Corporate Leadership

Hardcover: 344 pages

Publisher: Productivity Press; 1 edition (May 1, 1996)

Language: English

ISBN-10: 1563270706

ISBN-13: 978-1563270703

Product Dimensions:

6.5 x 1 x 9.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,039,626 in Books (See Top 100 in Books)

In the first section, Maskell makes the case that typical cost account managers currently waste their financial knowledge tallying irrelevant columns of numbers and complying with narrow governmental regulations. Then, in the second section, he details how those same persons could provide critical business information to help managers make daily operational decisions (hence the book's title). Despite only 2 reviews in 6 years, Lean and Agile companies understand that this is definitely not an esoteric topic. Business leaders who undertake the transformation of their accounting departments can realize a big competitive advantage. You can spot such evolved companies when their accounting books no longer represent inventory as an asset and developing employees as a liability.

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Get Free Ebook Algorithms

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Algorithms

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Paperback: 336 pages

Publisher: McGraw-Hill Education; 1 edition (September 13, 2006)

Language: English

ISBN-10: 9780073523408

ISBN-13: 978-0073523408

ASIN: 0073523402

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7.3 x 0.5 x 9.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

68 customer reviews

Amazon Best Sellers Rank:

#89,914 in Books (See Top 100 in Books)

I like this book FAR more than the CLRS book that most introductory algorithms classes use. It is shorter (because it has a lot less fluff), and is much clearer in it's descriptions and examples than CLRS.

The actual textbook is an excellent introduction to basic classes of algorithms. Most things were pretty clear, and the chapter on NP-completeness ties everything together nicely when it discusses reductions. It is written in such a way that it is actually tolerable to sit down an read, as opposed to just use as a reference. My class was actually provided a pdf draft of the book for free, but I thought that this was one of the rare times where the amount of time I used the book would actually warrant having a physical copy. It's paperback, which is nice for not adding any weight to my already unnecessarily full backpack, but it feels a bit cheaper than you would expect the printing of a $40+ black and white textbook to be.

Next to the popular algorithms books (CLRS, Sedgewick/Wayne, Skiena, Roughgarden) this book looks impossibly slim. However it is a concise and complete overview of algorithms, and maybe the most easily readable. It does not have all the mathematical proofs of CLRS, or as much source code as Sedgewick/Wayne. But it does give you enough to grasp the fundamentals and think about how to apply them in your daily work.My only criticism is that the index is ridiculously short.And yes, the printing does feel a little on the cheap side, but I appreciate the affordable price.

Don't waste your time with CLRS. This book is much much better. Yes it's concise and doesn't explain every detail, but that's what makes it good. It forces you to think about how each algorithm it cover works rather than spoon feed you into thinking or 'getting' each one in a particular way.

Great material on Graphs and associated Algorithms. This is not a traditional Data Structures book. Also, on a secondary note, Print and Paper quality is good and makes me feel like studying it.

More concise than Introduction to Algorithms, certainly, but not better. I often feel that the explanations given in Algorithms are much harder to grasp than those in the CLRS book. Partly, this is due to fewer pages devoted to each concept, and fewer concepts overall (leading to a spottier understanding of the field and the relations between concepts.) However, this is also partly due to what I feel is a more confusing writing and teaching style by the authors of Algorithms.Algorithms was the assigned text in a class here at UC Berkeley, and I feel I would have been very confused if I did not have CLRS to cross-reference and explain things more clearly, and in more detail.This text isn't bad, per se, but there are definitely better options. I've taken the class with Christos Papadimitriou, and even he has said that everyone should own CLRS. Given that, I'm not sure what purpose this text serves. Is brevity actually better if you end up spending more time trying to understand things?

Vazirani is the GOAT. This book reads like him whispering sultrily into your ear. It's actually a joy to read and doesn't "feel like a textbook." The book is surprisingly slim, and the chapters feel just as long as they need to be. He taught my Algorithms class, and a number of of our homework problems came from the exercises in this book.

A good text. Structured very nicely with lots of appropriate background that builds up the story and derivation of the algorithms. A bit too terse in places, leaving someone without a teacher hard-pressed to implement their efficient "selection" algorithm for medians or other percentiles into data sets, for instance. This situation happens a few critical times in the text. Although the coverage is good for the price and size of this volume, it really does lack in the amount of pseydocode listings as well. So, overall, good text on a budget and with a good professor, but kind of useless as a reference. Get the MIT press algorithms book if you need a reference text.

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